SHORT FICTION

Father and Son
The Dublin Review
Issue 82

My Father’s Collected Stories
Meanjin

JOURNALISM

2023

Samantha Harvey’s Orbital
Irish Times

Dublin’s Bridges
Irish Times

AI and Unfinished Novels
Boston Globe

A New Wave of Record Stores
The Guardian

2022

Re-imagining the Parthenon
The Guardian

’90s Music Memorabilia
NME

A Trip to Russia
Catapult

Cookie Mueller’s Collected Stories
Los Angeles Review of Books

2021

Kurt Cobain’s Favorite Novel
Literary Hub

Joshua Ferris’ A Calling for Charlie Barnes
Los Angeles Review of Books

On Cynthia Ozick
Los Angeles Review of Books

2020

Augie March’s Sunset Studies
NME

Haunted Bauhaus
Radical Philosophy

The Mighty Ducks
The Guardian

Kicking and Screaming
The Guardian

2019

Depersonalization disorder
The Washington Post

The Power of Derry Girls
Slate

Recovery documentary
The Guardian

Download Festival
The Guardian

Interpol and New York City
The Guardian

2018

Sydney’s battle for public art
The Guardian

The most isolated band in the world
The Guardian

Empathy and life drawing
The Guardian

Modern Masters of the Hermitage
The Guardian

Fashion and masculinity
The Guardian

Jazz star Kamasi Washington
The Guardian

2017

Robert Mapplethorpe’s photographs
The Guardian

Recovery TV
The Guardian

Béla Tarr in Amsterdam
The Brooklyn Rail

Marlen Khutsiev’s films
Film Comment

2016

Sidney Nolan and the opera
The Guardian

Hieronymus Bosch and Hell
The Atlantic

JFK and the Zapruder film
The Junket

The legacy of Come and See
The Calvert Journal

John Latham’s films
The Brooklyn Rail

2015 > 2009

Paul Simon at The Rothko Chapel
Aeon

The Sergei Paradjanov Museum
Artforum

P.A. O’Reilly’s The Fine Colour of Rust
Times Literary Supplement

Frederick Reiken’s Day for Night
Times Literary Supplement

Patrick deWitt’s Ablutions
Times Literary Supplement